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    • Bohnenberger Observatory
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UNESCO

World heritage

[More information]

UNESCO Weltkulturerbe

Special Exhibitions

  • 古代文化博物馆
  • Exhibitions
  • Special Exhibitions

Special Exhibitions

The special exhibitions of the Museum of the University of Tübingen deal with changing topics and offer comprehensive information and background. Depending on what is on offer, they can also be visited in addition to the permanent exhibitions.


Current

Preview

Preview

 A macro view of tree bark protruding from the left of the image against a black background, secreting golden-orange resin drops.

The Tears of Trees

March 8th, 2026 to February 28th, 2027


A wide variety of plants all over the world produce resins, gums and latex to protect themselves from injury or defend against predators and pathogens. The areas of application for these valuable plant substances are just as diverse: they can be used as adhesives or sealants, in surface treatment or varnishing, in oil painting, as incense (such as frankincense and myrrh), as flavouring in retsina, or as fragrance in perfumes or medicines.
The exhibition „The Tears of Trees. Resins, gums and their stories" showcases the diversity of resins, gums, and milky juices, exploring their origins and their presence in modern-day life. A scent memory game allows visitors to experience the aromas of the resins and their use in perfumes.
 

To the exhibition

 

Ansicht der Hohle-Fels-Höhle mit kuppelartiger Decke, angeleuchtet von Grabungslampen, die in der Bildmitte platziert sind

Dirty Science – Höhlensedimente als Archive der Vergangenheit

April 17th to November 29th, 2026

 

The ‘dirt’ in the caves tells a story: the ‘Dirty Science’ exhibition demonstrates how sediments can act as archives of the past. Microscopic traces, pollen and ancient DNA reveal who used the Swabian Alb caves and how the environment and climate have changed over time. Interactive displays offer insights into research and excavation, revealing what has remained hidden for millennia.

To the exhibition

 

Close-up of a stele with a bas-relief depicting a female figure (Demokratia, right) holding a wreath over the head of a seated male figure (personification of the citizenry, left).

Agora – Monumens of Democracy

May 1st to July 26th, 2026

 

Between the Agora's monuments, administrative buildings and council chambers, draft laws were postet, public expenditure was discussed and justice was administered. The monuments of the Agora belonged to democratic institutions and honoured citizens who were considered to be exemplary. The exhibition uses objects, replicas and models to bring orators, lotteries and voting in Athens to life. It poses three questions that are still relevant today:

How do you finance democracy? Who has a say? And how can it be defended?

To the exhibition

 


Current

Current

Online

Nach links gewandte Porträtbüste einer Frau aus dem julisch-claudischen Kaiserhaus auf barbiepinkem Hintergrund

Industry of Beauty. From marble to pixels: reproductions of Roman empresses

February 6th to May 5th, 2026

The exhibition uses the example of the women of the Julio-Claudian imperial family to shed light on the techniques of serial statue production in marble, plaster, and, using 3D printing, in plastic from antiquity to the present day. It is the result of a collaboration between the ERC project The Roman Emperor Seen from the Provinces at the University of Verona and the Institute of Classical Archaeology at the University of Tübingen.

To the exhibition

 

Anatomy Unbound

April 17th, 2023 to December 31st, 2027 (extended)

 

This exhibition was developed in three research projects by students of history and medicine under the direction of PD Dr. Henning Tümmers and Leonie Braam, M.A. (Institute for Ethics and History of Medicine) and Prof. Dr. Benigna Schönhagen and Stefan Wannenwetsch, M.A. (Grave Field X Project at the Institute for Historical Geography and Ancillary Historical Sciences). The interdisciplinary project is being developed in cooperation with Prof. Dr. Bernhard Hirt (Institute for Clinical Anatomy and Cell Analysis) and Prof. Dr. Ernst Seidl (Museum of the University of Tübingen MUT).

To the exibition

 

Black-and-white portrait of Elisabeth Krämer-Bannow with the lettering "Koloniale" (colonial) and "Schatten" (shadows)

Colonial Shadows

from January 22nd, 2025

 

Elisabeth Krämer-Bannow, who was part of the expedition as self-taught illustrator, photographer and ethnologist, used her access to the women of Palau to document their daily lives and culture from a rare perspective. While male explorers often lacked access to this world, she was able to provide intimate insights that often went unobserved in ethnological research at the time. Her watercolours and photographs, on display in the exhibition, offer a vivid picture of Palauan life and a critical reflection on the colonial view of the period.

To the exhibition

 




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